Above photo: Taming of the Shrew.  Photo by Richard Termine.

Desiree Sanchez (EXECUTIVE Artistic Director)

Desiree has directed this years' productions of Much Ado About Nothing and Our Trojan War. She has also co-directed the national public program of the Warrior Chorus as well as Dialogues: Between Athens and Afghanistan. Past productions she has directed and adapted for include: Romeo and Juliet and The Adventures of Sherlock Holmes for the 2015/2016 season, The Tempest and Wuthering Heights for the 2014/2015 season, Twelfth Night and Fahrenheit 451 for the 2013/2014 season, A Female Philoctetes at BAM Fisher's Hillman Studio, The Taming of the Shrew and Cyrano de Bergerac for the 2012/2013 season, Herakles at BAM in March 2013 and the Festival of the Aegean in Syros, Greece and the Michael Cacoyannis Foundation in Athens in July, 2012, Macbeth and The Importance of Being Earnest for the 2011/2012 season, and Six Characters in Search of an Author for the 2010/2011 season; created movement for Aquila's A Very Naughty Greek Play (Aristophanes' Wasps),  Catch-22Julius CaesarThe Iliad: Book One, and The Comedy of Errors; performed in The Iliad: Book One at the Festival of the Aegean in Syros, Greece; and was the lead teaching artist for Aquila's Shakespeare Leaders program in Harlem. Desiree had a twenty-year dancing career including working as a principal dancer for the Metropolitan Opera Ballet where she worked under the direction of numerous directors and choreographers that included Francesca Zambello, Mark Lamos, Doug Varone, John Dexter, Franco Zeffirelli, Julie Taymor and Andrei Konchalovsky. Other companies and choreographers she has worked with include the Boston Ballet, Neo Labos Dancetheatre, Donald Byrd/The Group, Sean Curran, Gelsey Kirkland, Bill T. Jones, Heidi Latsky, Eun Me Ahn, and Robert La Fosse. She performed for the Papermill Playhouse as a featured dancer in the musicals Carousel and The King and I. She has also taught at Long Island University as a visiting associate professor of dance.

Peter Meineck (founder and Program Director)

Peter founded Aquila Theatre in 1991 and has worked extensively in theater in London and New York. He holds an endowed chair as the Professor of Classics in the Modern World at New York University where he specializes in ancient performance and the application of cognitive science to the study of the ancient world. He is also Honorary Professor of Humanities at the University of Nottingham and has held fellowships at Harvard, Princeton and the University of California and the Onassis Foundation. He has published numerous translations of Greek plays with Hackett, and was awarded 2001/02 Lewis Galantiere Award for Literary Translation for his translation of Aeschylus' Oresteia. He received the 2009 NYU Golden Dozen Teaching Award, a 2009 Humanities Initiative Team Teaching Award, the American Philological Association Outreach Prize. Peter is a regular performing arts contributor to the humanities journal Arion and has published several scholarly articles on Greek drama and Shakespeare.  He recently edited Combat Trauma and the Ancient Greeks with David Konstan (Palgrave) and his new book, Theatocracy: Greek drama, cognition and the imperative for theatre, will be published by Routledge in June. He has produced and/or directed more than 50 professional productions of classic drama. He has received significant grants from the National Endowment for the Humanities for devising and directing the groundbreaking public programs: You/StoriesAncient Greeks/Modern Lives (Chairman’s Special Award), and Page and Stage: The Power of The Iliad Today. He also acts as an advisor of Greek literature and mythology, recently to National Geographic, Disney, Fuse TV and Will Smith (I am Legend). He is a graduate of University College London (BA hons. Ancient World Studies) and the University of Nottingham (PhD Classics) and a former Royal Marines Reservist. Peter continues to serve as a Lieutenant Firefighter and EMT in Westchester, NY.


general management - Perry street theatricals

DAVID ELLIOTT is Co-Director of Perry Street Theatricals and has produced or co-produced over twenty five productions in New York and London, including: Dames At Sea (Helen Hayes Theatre), Vanya And Sonia And Masha And Spike (Golden Theatre, TONY, Drama Desk), My Life Is A Musical (Bay Street), Lend Me A Tenor The Musical (London, West End, Gielgud Theatre, Olivier nom.), Hamlet and Saint Joan (Bedlam, Off Broadway Alliance Winner, OBIE nom), an oak tree (Barrow Street Theatre, OBIE); In The Continuum (OBIE, Outer Critics); A Dangerous Personality (Women’s Project Theatre), Exits And Entrances (Edinburgh Fringe, Assembly), Treason; Gareth Armstrong’s Shylock (Outer Critics nom.); The Exonerated (Drama Desk, Outer Critics, Lortel, Edinburgh Fringe First); Temporary Help (Women’s Project Theatre); Carl The Second (29th Street Rep); Imperfect Love; The Perpetual Patient; Where Everything Is Everything; Wrong Way Up; I Wanna Be Adored (all at New York Performance Works); Once A Man, Twice A Boy (Irish Arts Center); Cut To The Chase (NYC Fringe). Workshops: Breaker Morant (DR2), The Gershwin’s ‘Tell Me More’ (New World). As a Director, his work has been seen at Olney Theatre, The Culture Project, The Irish Rep, Metropolitan Playhouse, The Zipper, The Players, New York Performance Works and at Rattlestick’s Exposure Festival.

MARTIN PLATT is a Co-Director of Perry Street Theatricals and has been a Director, Producer, and General Manager in the U.S., U.K. and Europe for over forty years. He was the founding Artistic Director of the Alabama Shakespeare Festival, General Director of Birmingham Opera Theatre, and founding Artistic Director of Santa Fe Stages, an international Arts Festival. As a Director his work has been seen throughout the U.S. and Europe. Mr. Platt’s career as a Producer and General Manager began in 1991, as co-director of Fifth Amendment Ltd, a UK based producing company. During 10 years with 5A, he produced over 50 theatre and dance productions, in London’s West End and on tour in the UK, Europe, and U.S. His most recent West End production was the Olivier nominated Lend Me A Tenor The Musical. On Broadway he is currently represented with Dames At Sea and in the 2013-2014 season with the Tony Award winning play, Vanya And Sonia And Masha And Spike. New York his productions have included Bebe Neuwirth in Here Lies Jenny, Treason, and the multi off Broadway award winning productions of In The Continuum and an oak tree.

LORNA MULVANEY is Associate General Manager of Perry Street Theatricals from Washington, DC where she served as the General Manager & Associate Producer for Mosaic Theater Company of DC in its inaugural 2015-2016 season. Prior to her work with Mosaic, Ms. Mulvaney worked at Studio Theatre as the Associate Production Manager, and at Washington Performing Arts as the Accounting Associate. Ms. Mulvaney is a graduate of The George Washington University in Washington, DC where she earned a BA in Theater and Business.