Above photo: Taming of the Shrew.  Photo by Richard Termine.

Desiree Sanchez (EXECUTIVE Artistic Director)

Desiree has directed this years' productions of Much Ado About Nothing and Our Trojan War. She has also co-directed the national public program of the Warrior Chorus as well as Dialogues: Between Athens and Afghanistan. Past productions she has directed and adapted for include: Romeo and Juliet and The Adventures of Sherlock Holmes for the 2015/2016 season, The Tempest and Wuthering Heights for the 2014/2015 season, Twelfth Night and Fahrenheit 451 for the 2013/2014 season, A Female Philoctetes at BAM Fisher's Hillman Studio, The Taming of the Shrew and Cyrano de Bergerac for the 2012/2013 season, Herakles at BAM in March 2013 and the Festival of the Aegean in Syros, Greece and the Michael Cacoyannis Foundation in Athens in July, 2012, Macbeth and The Importance of Being Earnest for the 2011/2012 season, and Six Characters in Search of an Author for the 2010/2011 season; created movement for Aquila's A Very Naughty Greek Play (Aristophanes' Wasps),  Catch-22Julius CaesarThe Iliad: Book One, and The Comedy of Errors; performed in The Iliad: Book One at the Festival of the Aegean in Syros, Greece; and was the lead teaching artist for Aquila's Shakespeare Leaders program in Harlem. Desiree had a twenty-year dancing career including working as a principal dancer for the Metropolitan Opera Ballet where she worked under the direction of numerous directors and choreographers that included Francesca Zambello, Mark Lamos, Doug Varone, John Dexter, Franco Zeffirelli, Julie Taymor and Andrei Konchalovsky. Other companies and choreographers she has worked with include the Boston Ballet, Neo Labos Dancetheatre, Donald Byrd/The Group, Sean Curran, Gelsey Kirkland, Bill T. Jones, Heidi Latsky, Eun Me Ahn, and Robert La Fosse. She performed for the Papermill Playhouse as a featured dancer in the musicals Carousel and The King and I. She has also taught at Long Island University as a visiting associate professor of dance.

Peter Meineck (founder and Program Director)

Peter founded Aquila Theatre in 1991 and has worked extensively in theater in London and New York. He holds an endowed chair as the Professor of Classics in the Modern World at New York University where he specializes in ancient performance and the application of cognitive science to the study of the ancient world. He is also Honorary Professor of Humanities at the University of Nottingham and has held fellowships at Harvard, Princeton and the University of California and the Onassis Foundation. He has published numerous translations of Greek plays with Hackett, and was awarded 2001/02 Lewis Galantiere Award for Literary Translation for his translation of Aeschylus' Oresteia. He received the 2009 NYU Golden Dozen Teaching Award, a 2009 Humanities Initiative Team Teaching Award, the American Philological Association Outreach Prize. Peter is a regular performing arts contributor to the humanities journal Arion and has published several scholarly articles on Greek drama and Shakespeare.  He recently edited Combat Trauma and the Ancient Greeks with David Konstan (Palgrave) and his new book, Theatocracy: Greek drama, cognition and the imperative for theatre, will be published by Routledge in June. He has produced and/or directed more than 50 professional productions of classic drama. He has received significant grants from the National Endowment for the Humanities for devising and directing the groundbreaking public programs: You/StoriesAncient Greeks/Modern Lives (Chairman’s Special Award), and Page and Stage: The Power of The Iliad Today. He also acts as an advisor of Greek literature and mythology, recently to National Geographic, Disney, Fuse TV and Will Smith (I am Legend). He is a graduate of University College London (BA hons. Ancient World Studies) and the University of Nottingham (PhD Classics) and a former Royal Marines Reservist. Peter continues to serve as a Lieutenant Firefighter and EMT in Westchester, NY.


Erika has a Bachelors in Literature from Barnard College with a specialty in Medieval Literature, and has a Masters in Teaching, English Language and Literature, from Manhattanville College. Additionally, she has a background in the arts and financial administration.



Jeremy smith (office manager)

Jeremy served seven years as a U.S. Navy Hospital Corpsman. He's very excited to be working with Aquila Theatre, an organization that places so much emphasis on veterans and their service. He's also an Eagle Scout, majored in American Studies while attending Columbia University, and has backgrounds in healthcare management & information technology. 



robert rogers (Technical Director)

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Robert is Aquila Theatre’s Touring Technical Director since 2014. Bob has been involved in Technical Theatre for over ten years. His most recent endeavors include Production Manager/Technical Director for Penobscot Theatre, Technical Director for Gretna Theatre. He has also been involved with everything from Assistant Tent Boss for the Zerbini Circus to a Chief Pilot of Maintenance at a $2.5 million dollar helium balloon in Tennessee. Additionally, Bob spent time in Qinhuangdao, China, where he was the Technical Director for an international cooperation project for the theme park show: Snow White’s Birthday Adventure!